In Heart of Darkness Joseph Conrad

He inspired uneasiness. ... provided he was great" (50); an insolent, black-skinned messenger of death who "said in a tone of scathing contempt - 'Mistah Kurtz - he dead'" (112). in that respect is even a Penelope waiting in lamentation clothes for the dead "hero" Kurtz, of whom Marlowe speaks, "She struck me as beautiful - I mean she had a beautiful expression. I hold up that the sun perch can be made to lie, too" (115).

soreness of Darkness' storyline fixs in a Elysian setting of light and urban civility. Narrator Marlowe is guest aboard a sailboat, restful along an English river never coldthest from the city. All is console and security. This is the world of theological religion, where philosophy is easy to contemplate. As dark descends, a new mood takes over. Marlowe's narrative begins in shadow, erupting as a speculation on the darkness of the English river they muff upon as it must have appeared two millennia earlier. The atavistic whimsy of religion, with its "magic" of place and time, begins to assert itself. Then Marlowe rambles into his African chronicle - and anything familiar is lost within minutes. This is how A Midsummer Night's woolgather and a score of other classic English myth-tales begin: first there is the city, where civilization holds sway over liv

It is an approach not so far removed from Conrad's, nTe Jozef Korzeniowski's, Roman Catholic upbringing in Russian-occupied Poland. Icons and ghostlike rite are the dominant mode of religiosity there, a far cry from the Age of Enlightenment-influenced Protestantism of the mainstream culture Conrad settled-in to when he began his writing career. Thus, what would reckon unseemly to Conrad's contemporaries in Britain might not be so far removed from his own soul-churnings, despite the well-behaved facades of society.

This apathetic valuation of human life is the first of more inklings of mortality Marlowe remembers in the storytelling. All religion is concerned with mortality, and Conrad's religious experience is no exception.

This is the tale of a trip to rally a decease man, Kurtz; with growing irony one realizes that dying is one of the most every daylight activities of the region. Within a pageboy of Marlowe's telling of the unfortunate soldiers and customs officials, his southbound vessel passes a French man-of-war shooting cannons at the impenetrable jungle, with a crew "dying of fever at the rate of terzetto a-day" (41). Hardly a moment later, the young Swedish steamboat skipper transporting him the first leg upcountry casually remarks, "the other day I took up a man who hanged himself on the road. He was a Swede, too" (42). When Marlowe is finally ashore, things do not break from there. To avoid the distressing sight of black prisoners, presumably criminals, creation worked to death, Marlowe retreats to a shaded grove - finding that:

..."His last word - to bed with," she insisted...

Conrad's account of Marlowe's religious experience like a shot takes on the recognize of Faith. "Striving after something altogether without a substance" - this is the believer's challenge. goal has now taken on an "impressive" face, however; the fork out attempt presses on. This is a religious crusade. If death cannot be defeated, it is now to be confronted differently, at the least. The helm
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