Theme of Oppressed Women

After a while, this feeling- this conquering and depression of non measuring up physically to her peers is what unmake "Barbie". "Her good nature wore out like a fan belt" (Piercy l. 15-16). How often have we heard the clichT "She cut sullen her nose to spite h34r governing body"? Well, here it really happened. The tragedy of life is that a mortician's cosmetics make every peerless look "pretty". And, as Piercy puts it "Consummation at last. To every woman a adroit ending" (Piercy l.24=5).

In all three of the works, able endings whitethorn be wished for, but not achieved. Beyond these three works, however, our world- our equip world of TV where happy endings occur in cardinal or sixty minutes, happy endings are expected, hoped for, worked hard to achieve, and the downside is that happy endings seldom occur.

There are many incidents of oppression in marriages. But, oppression is not really the same as abuse. non physical abuse, at any rate. And yet, men are restrained often regarded (or accused) of being women's "Masters": "In October 1969, an article in Psychology Today entitled "Women as Nigger" chop-chop led feminist activists to make parallels between the :oppression of women" and the oppression of blacks. Men were characterized as the "master," or "slave holders" and this parallel allowed the hard-earned rights of the gracious rights movement to be applied to feminist issues" (BC Fathers online 1).

One does not direct sense a fe

While these two works are unquestionably occidental in content and character, Maxine Hong Kingston reminds me of the far different image of oppression against Asian women. Her aunt, in China, was called "The woman with no phone" because, having shamed her conservative family with an unexpected (and illegal) pregnancy, her name would never be spoken in the dwelling again. As Ms. Kingston's mother told her "In China your experience had a sister who killed herself. She jumped into the family well. We say that your father has all brothers because it is as if she had never been born" (Kingston 1).

And then, we suffer to the crux of the matter. She no longer trusts her husband.

She even uses the word "deceit" And then, a few pages posterior: "John is so queer now, that I don't want top irritate him" (Gilman 10). The irritation might come from the woman she sees behind the shaking wallpaper, a woman who disappears during the day. Now, she definitely mistrusts her husband, claiming she sees right through him.

Tradition and what we often call "face"- a sort of family honor and dignity, had fallen by the wayside with this pregnancy. As it was told, villagers came and threw eggs and stones at the house during labor. The family was truly vilified and called names, and the house was literally destroyed and ransacked.

But, what of the ending? What about the rope? Her having lacerated away that yellow wallpaper? The fact is, she has slipped out of one fearful personality and adopted someone not afraid, not doubting, but,. In some way,. Superior to those who imprisoned her. "Gilman used her narrator, who remains unnamed, to express her own feelings erupting inside of her. Her husband and those around her immediately see our narrator as bonkers, and she was confined to a room, which later was the cause of her emotional meltdown. Her husband is emotionally strong and steadfast when he exercises his powers to put his wife away. This relays the message that women of the time were crazy a
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